Poetry by Marianne Moore Essay Example For Students

Poetry by Marianne Moore Essay She rather handily summarizes an array of cliches, stereotypes and received misgivings about poetry a literalistic readership might have ,feigns empathy with the complaints, and then introduces one crafty oh-by-the-way after another until the opposite is better presented than the resolution under discussion. This Is not a subject I warm up to In most circumstancespoets, of their accord, have demonstrated the sort of self-infatuation that many of them, left to their means-to- an-end, would remove themselves from the human scale and assume the ranks of the divine, the oracular, the life giving, II, develop themselves into a priesthood, the guardians of perception. Moors poem, though, presents itself as a contracting string of epigrams that seem o quarrel, a disagreement between head and mind, body and spirit, and a larger part of her lines, as they seemingly across the page away from the statements preceding the line before it, is that no really knows what to make of poetry as a form. As a means of communication, as a way of identifying oneself in the world. It frustrates the fast answer, it squelches the obvious point, poetry adds an ambiguity that would rile many because of lines that start off making obvious sense but which leave the reader In a space that Isnt so cocksure. Little seems deflate anymore once poem has passed through the world, and the reassembling of perception required of the reader to understand a bit of the verse (the alternative being merely to quit and admit defeat) Is bound to give a resentment. Its a headache one would rather not have. Moors poem seems to be a response to Dorothy Parsers Ironic declaration declaration l hate writing. I love having written. The reader may hate not understanding what theyve read, but love the rewards of guising through a poems blind alleys and distracting side streets. The agony, the contradictions, the dishonest sleights of hand that deceive you in the reverie of delivering a surprise, an Irony, an unexpected Image , all of this Is worth resentments a readers suffers through. One is , after all , made better, made stronger by the exercise of the will to read and confront the poem on its own terms. Moore is a shrewd rhetorician as well as gracefully subtle poet. Clever, witty, sharp and acidic when she needs me, Moore is clever at playing the Devils Advocate In nominally negative guise, saying she dislikes It but mounting one exception to the rule after FIFO cant exist without its application. It works as polemic, indeed, crafted as she alone knows how, and it adds yet another well-phrased set of stanzas that want to turn poets into more than mortal artists, but into a priesthood, a race of scribes attuned to secret meanings of invisible movements within human existence. It sort of stops being a poet after the first Jagged stanza, not unlike all those pledge breaks on PBS that tirelessly affirm that networks quality programming while showing little of it during their pleas for viewer money. Its not that I would argue too dramatically against the notion that poets and artists in unreal are those whove the sensitivity and the skills to turn perception at an instinctual level into a material form through which what was formally unaddressed can now find a shared vocabulary in the world egalitarian though I am, there are geniuses in the world , and those who are smarter and more adept than others in various occupations and callingsbut I do argue against the self- flattery that poems like Moors promotes and propagates. Wouldnt regard this as a polemic of any sort, nor a manifesto as to what the writer ought to do or what the reader should demand. Reading it over again, and again after that makes me think that Moore was addressing her own ambivalence toward the form. After one finishes some stanzas and feels contented that theyve done Justice to their object of concentration, some lines appear contrived, other words are dull and dead sounding aligned with more colorful, more c himing ones,an image seems strained and unnatural, an analogy no longer seems like the perfect fit. .u022fe6deaf6364fb4ca40e3140c794a7 , .u022fe6deaf6364fb4ca40e3140c794a7 .postImageUrl , .u022fe6deaf6364fb4ca40e3140c794a7 .centered-text-area { min-height: 80px; position: relative; } .u022fe6deaf6364fb4ca40e3140c794a7 , .u022fe6deaf6364fb4ca40e3140c794a7:hover , .u022fe6deaf6364fb4ca40e3140c794a7:visited , .u022fe6deaf6364fb4ca40e3140c794a7:active { border:0!important; } .u022fe6deaf6364fb4ca40e3140c794a7 .clearfix:after { content: ""; display: table; clear: both; } .u022fe6deaf6364fb4ca40e3140c794a7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u022fe6deaf6364fb4ca40e3140c794a7:active , .u022fe6deaf6364fb4ca40e3140c794a7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u022fe6deaf6364fb4ca40e3140c794a7 .centered-text-area { width: 100%; position: relative ; } .u022fe6deaf6364fb4ca40e3140c794a7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u022fe6deaf6364fb4ca40e3140c794a7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u022fe6deaf6364fb4ca40e3140c794a7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u022fe6deaf6364fb4ca40e3140c794a7:hover .ctaButton { background-color: #34495E!important; } .u022fe6deaf6364fb4ca40e3140c794a7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u022fe6deaf6364fb4ca40e3140c794a7 .u022fe6deaf6364fb4ca40e3140c794a7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u022fe6deaf6364fb4ca40e3140c794a7:after { content: ""; display: block; clear: both; } READ: How do two poets differ in the way they explore love EssayShe too dislikes it, I think, because poetry will always come up short of getting to the world without our censoring buffers; Wallace Stevens solved the problem of cutting myself from the gravity of his real life by no attempting to launch his persona , via metaphor, through the imagined barrier between our perception of events and what is there, sans a mediating ego, and landed himself among his Ideal Types, his Perfect Forms and Arrangements, but the strength of his language. The metaphor he would have used to address qualities otherwise unseen of a thing her perceived became, in his method, the thing itself, a part of his Supreme Fiction. William Stevens voided the decorative phrases and qualifiers that he felt only added business to the world a memo tried to talk about and made a verse of hard , sharp, angular objects. Moore, though, seems to insist in Poetry that however grand , beautiful and insightful the resulting poems are in a host of poetic attempts to resolve the problem the distance between the thing perceived and the thing itself, we still have only poems, words arranged to produce effects that would appeal to our senses that are aligned with this world and not the invisible republic Just beyond our senses. Poetry is a frustrating and irritating process because it no matter how close one thinks theyve omen to a breakthrough, there is the eventual realization of far one remains from it. Poetry as Sisyphean task; one is compelled to repeat the effort, and not without the feeling that theyve done this before. The commotion of the animals, the pushing elephants, the rolling horses, the tireless have desired to have calmed by the writing of poetry. There is the prevailing myth, still fixed in a good number of people who go through various self help groups, that the writing of things downpoetry, Journaling, blobbing, writing plays or memoirsis process that, in itself , will reveal truthful things one needs to know and thereby settle the issues. Writing, though, doesnt settle, finalize or cement anything in place, it does to set the world straight , nor does it resolve anything it was addressing once the writing is done with. It is, though, a useful process, a tool, one may use as a means to get one out of the chair, away from the keyboard, and become proactive in some positive way. The expectations of what poetry was supposed to docreate something about the world that is permanent, ever lasting, reveal a truth whos veracity does not pale with mime, whether a century or hour are crushed and a resentment when realizes that the world theyre attempting to conquer, in a manner of speaking , will not bow to ones perception, ones carefully constructed stage set where the material things of this earth are props to be arranged on a whim, and that the mind that creates the metaphors, the similes, the skilled couplets and ingenious rhyme strategies is not calmed, soothed, serene. The world continues to move and change, language itself changes the meaning of the words it contains, the mind continues to tick away, untrimmed. Moors animals, in the restless paradise , are themselves restless, non contemplative, instinct driven toward species behavior that is about propagation and survival, creatures distinct from the contemplative conceit of the poet who thinks he or she is able to sift through the underbrush for secret significance. Ive always heard a weary tone in Moors poem; a mind that in turn wrestles with matters where poetry doesnt reveal whats disguised but only what the poet can never get to. Her poem echoes Machetes famous speech rather nicely: She seems not a little dismayed that poetry is only part of our restless species behavior and that the language we write and expound to bring coherence to the waking life are only more sounds being made in an already noisy existence. Rebecca Steele January 14, 2013 Poem Analysis Analysis of Poetry by Marianne Moore In the poem, Moore dissects the meaning and understanding of poetry. She tries to make a point of the importance and usefulness of poetry to a person. There is the mention that most people do not take the time to appreciate something of they do not understand it. .u9bb823f0cbe8dc5cee89074a4020119b , .u9bb823f0cbe8dc5cee89074a4020119b .postImageUrl , .u9bb823f0cbe8dc5cee89074a4020119b .centered-text-area { min-height: 80px; position: relative; } .u9bb823f0cbe8dc5cee89074a4020119b , .u9bb823f0cbe8dc5cee89074a4020119b:hover , .u9bb823f0cbe8dc5cee89074a4020119b:visited , .u9bb823f0cbe8dc5cee89074a4020119b:active { border:0!important; } .u9bb823f0cbe8dc5cee89074a4020119b .clearfix:after { content: ""; display: table; clear: both; } .u9bb823f0cbe8dc5cee89074a4020119b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9bb823f0cbe8dc5cee89074a4020119b:active , .u9bb823f0cbe8dc5cee89074a4020119b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9bb823f0cbe8dc5cee89074a4020119b .centered-text-area { width: 100%; position: relative ; } .u9bb823f0cbe8dc5cee89074a4020119b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9bb823f0cbe8dc5cee89074a4020119b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9bb823f0cbe8dc5cee89074a4020119b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9bb823f0cbe8dc5cee89074a4020119b:hover .ctaButton { background-color: #34495E!important; } .u9bb823f0cbe8dc5cee89074a4020119b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9bb823f0cbe8dc5cee89074a4020119b .u9bb823f0cbe8dc5cee89074a4020119b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9bb823f0cbe8dc5cee89074a4020119b:after { content: ""; display: block; clear: both; } READ: Contrast and comparison Cousin Kate written by Christina Rossetti and The seduction by Eileen McAuley EssayFrom research on this poet I have discovered that she has a unique writing style that she is referencing in the poem. There are a few images in her poem like when she writes, Hands that can grasp, eyes that can dilate, hair that roll, a tireless wolf under a tree There are also other poetic elements in this poem as well as images. This poem really contains the main theme of the nature of people. She describes a stereotypical view that people do not take the time to appreciate and understand things. The poem honestly causes me a lot of confusion, which is why I kicked it. I do not know how to get a full understanding of anything in this poem, especially things such as themes and allusions so I do not really have anything to say about either of those things so I am going to move on. There is one piece of irony I found in this poem. Her first line, l too dislike it; there are things that are important beyond all this fiddle, is an example of irony in her poem. For she is a poet sharing her negative opinion of poetry, I am assuming. The tone of this poem seems to be slightly melancholy for most of it.